Princess Diana Was London Fashion Week’s Most Refreshingly Low-Key Front Row Star
When Richard Quinn staged his fall 2025 show beneath the glass-vaulted ceiling of Westminster’s Lindley Hall on Friday night, Ladies Amelia and Eliza Spencer—nieces to the late Diana, Princess of Wales—were perched alongside fashion editors to take in the London designer’s rose- and ribbon-strewn gowns as they were romantically paraded around a snow globe of a set. The blue-blooded cameo was fitting, really; as Vogue’s Sarah Mower put it, “Quinn stands in the long tradition of British court dressmakers—designers like Bellville Sassoon and Victor Edelstein in the 1980s who dressed the ingénue Princess Diana and ‘society’ ladies.” Of course, Diana herself was an enthusiastic if intermittent London Fashion Week attendee from the mid-’80s onwards, using the flashbulb frenzy that followed her from Coleherne Court to Kensington Palace to illuminate the brilliance of the likes of Joe Casely-Hayford. As London Fashion Week continues apace, Vogue looks back at the Princess’s turns on the front row through the years.
Long before the Queen Elizabeth II Award recognized emerging talent, Princess Diana was sitting on the front row at London Fashion Week. The famously shy former nursery teacher, who graduated from sheep-printed jumpers to Versace tank dresses over the course of her time in the public eye, never made the shows about her. No duck-egg blue cushion was placed on her seat, and the notion of posing for the paps was never entertained. Rather, a roster of black tailoring reflected a demure Di on personal business, and certainly not pulling off a press stunt.
The events the Princess RSVP-ed to said a lot about her character, such as the Lancaster House launch event for the March 1985 showcase, following London Fashion Week’s inception one year earlier. We imagine Di saw the furor surrounding Katharine Hamnett’s first riotous spring 1985 show—and her subsequent landmark meeting with the Prime Minister—and was curious about the rebellious cohort exploding onto the fashion scene curated by the recently established British Fashion Council. Perhaps she was keen to see the work of the new, wildly romantic genius John Galliano, after Browns’s Joan Burstein snapped up his entire Central Saint Martins graduate collection, Les Incroyables. Certainly, the dance-loving Diana would have delighted in BodyMap’s counter-cultural celebration of Lycra-heavy fashion for all ages, sizes, and genders. The royal’s first LFW look—a silky dressing-gown style dress by Bellville Sassoon—showed a bright twenty-something whose eyes lit up at clothing rails, according to her stylist Anna Harvey.
By the ’90s, Diana had found her footing in fashion, and honed her formula of timeless Chanel skirt suits and athletic dresses by her friend Gianni Versace. All that Bruce Oldfield froth had been streamlined, the Laura Ashley blouses worn by “Dynasty Di” were a distant memory, and she took an interest in the designers subverting traditional British dress codes, much as she was doing herself as part of the royal family. In 1995, the Princess attended her first actual fashion show courtesy of Joe Casely-Hayford. It would have been brilliant to see Diana wear the energetic, intellectual designer’s radical twists on Savile Row tailoring before her untimely death some two years later.
The Princess, who attended the 1989 Fashion Awards wearing a dramatic Catherine Walker “Elvis” dress, understood the power of her image. She attended other ribbon-cutting ceremonies for the seasonal presentations—which, let’s face it, are not the fun part—with her Manolos on, that trusty Dior “Lady Di” bag slung over her shoulder, and a Sam McKnight blow-dry: her personal suit of armor. Later in 1995, she attended the Met Gala in Galliano. It’s possible to imagine that, were it not for her tragic fate, Princess Diana could have established her own nurturing talent initiative dedicated to brilliant outsiders.
Source link
