Launched in 2023, the London-based magazine Scenery has already accrued a cult following for its playful, intimate approach to capturing interiors. Across its second issue, released this week, you’ll find a deep dive into the archives of Peter Schlesinger, a journey through the oldest surviving hotel in Lebanon, and a revival of the first issue’s My Space series, this time covering everything from the grandeur of Rose Cholmondeley’s home at Houghton Hall in Norfolk to the inspiring London studio of sculptor Shawanda Corbett.
Here, the makers of Scenery share a story from the new issue with Vogue: a rare audience with Kim Jones at his London home, spotlighting the weirdest and most wonderful corners of his private collections, from a teapot once belonged to Virginia Woolf to Baby Yoda figurines, and from Lalanne cats to Allen Ginsberg’s final credit card.
The journey into Kim Jones’s London house—and it really is a journey—is one of surprises. First, there’s the nondescript alleyway you must take to find it, tucked away in the heart of a well-heeled neighborhood better known for its imposing, wedding cake Victorian terraces than its contemporary architectural marvels. Once you’ve passed through the steel grille gate and into the sprawling colossus of concrete and glass that sits beyond it—the house takes up the center of an entire street block, you’ll soon discover—events take an even stranger turn. The first artwork seen when stepping inside is a pair of old TV screens on wheels, playing Bruce Nauman’s 1985 video work Good Boy Bad Boy, in which a pair of actors repeat the same phrases hundreds of times, at different speeds so they overlap, and at increasing volume.
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