But “You Wish” was a different story entirely. Maybe it was the attention-grabbing opener, “Hello, Christ? I’m ’bout to sin again”; the frenetic pacing of the video; the satisfying handoff from Folayan to Bobbi as the latter burst into the frame, delivering lines like, “Invested in this p*ssy, and this sh*t is paying dividends”; or their hyper-saturated, Y2K-street-style aesthetic captured through a fish-eye lens. Or maybe, in a social media landscape where so many things feel forced, it was just fun to watch two new artists arrive on the scene in a way that seemed truly genuine.
The success of “You Wish” helped Flyana Boss cross “going viral” off their bucket list, so that now, a year later, they’re chasing new goals. “I want a Billboard top-ten hit,” says Bobbi, matter-of-factly.
On March 29, they are set to release their next EP, This Ain’t the Album, an upbeat mish-mash of retro hip-hop influences and fast-paced rhymes that they’ve teased with the singles “Candyman” and “yeaaa.” Simultaneously, they’re in the early stages of planning their debut album—reviewing potential concepts and considering what they learned while touring with Janelle Monáe last year. “We want to build a whole world and take people on a journey,” says Bobbi.
Since they first got together, Bobbi and Folayan haven’t given much thought to competing with other artists. In fact, they’re not really competing at all; they’re writing music for each other, hoping a line might impress or make the other one laugh. While Bobbi revels in wordplay (“I be triple A, all these broke hoes that I’m towin’ on. / You can call me Marvin Gaye ’cause you know what’s goin’ on,” she raps in the remix to “You Wish” with Missy Elliott and Kaliii), Folayan is more flow-heavy, sometimes workshopping a line by honing in on a rhythm first.
From the beginning, it was always about music, but the duo admits that they would have followed any path that allowed them to perform, period. They also haven’t closed themselves off to other avenues. “We want to do a whole TV show based around our friendship one day,” says Folayan. “So stay tuned for that.”
As they get ready to change into their stage looks—not so different from the colorful clothes they wear offstage—they talk about the biggest highlight of the last year: going from engaging with their fans online and in the comment section, to seeing them in real life. They’ve set out to make music that speaks to an unapologetic sense of joy and sex positivity. Their shows reflect that.
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