Welcome Back, Miss Claire Sullivan

Claire Sullivan would like to reintroduce herself. Well, sort of. It’s not that she’s gone anywhere—in the last year she has created custom looks for Shygirl, Addison Rae, Chloë Sevigny, and Clairo; and Doechii, Sarah Paulson, Rachel Ziegler, Kylie Jenner, and Troye Sivan have all worn Miss Claire Sullivan in magazine editorials. Her latest “collection lookbook” is unlike regular lookbooks: instead of showing clothes that people might be able to purchase in the future, it documents most of the custom work she has done since 2022, presenting it as a body of work.

“Everything we make is ‘one-off,’ so everything that’s here was something that I made for myself to wear to an event, or I made for an editorial and we got it back,” the 31-year old Sullivan tells me during an appointment at her bright and airy studio in Bed-Stuy. “This is a ‘collection’ of all the pieces we’ve done so far. We wanted to see what it looks like to have the Miss Claire world all together, and I think it’s exciting because it kind of opens the door for what the expansion could be.”

Addison Rae in custom Miss Claire Sullivan at the 2024 MTV VMA’s.

Photo: Noam Galai/Getty Images

Clairo in custom Miss Claire Sullivan at the 2025 Grammy Awards.

Axelle/Bauer-Griffin

The Miss Claire Sullivan aesthetic is high-femme, characterized lots of volume, and expertly draped fabrics that caress the body—with a bit of sequins or a bit of shine for an extra dose of drama. “Somebody shared with me recently that witches say that glamour is a form of protection magic—and I was like, ‘oh my god! I really identify with that’” she explains. “For me, dressing up is literally magic, and to be able to share that with other people through the custom experience is really, really beautiful.”

The 20-look slideshow features many of Sullivan’s most memorable pieces, including the map dress she created for Hailey Bieber to wear during Vogue World promos in 2022—her first celebrity placement—and the tutu Addison Rae wore at last year’s VMA’s, that has been repurposed as a top. She considers her two trademark items to be a tutu made of “angel wings” she had previously fashioned as part of a Halloween costume, and a lace catsuit. “[The catsuit] is one of the first pieces I made that felt like it could be worn casually; and it’s since become a staple,” she adds. Other highlights include a short cotton dress made from men’s shirting, a bodice made from a deconstructed tuxedo jacket, an asymmetrical draped sequin gown, and her Minnie Mouse costume from last Halloween. What emerges is a definite vision of glamour and sensuality with an all-important touch of playfulness.


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