Norway’s College of Bergen is funding a examine known as ‘How Norway Made the World Whiter,’ or ‘NorWhite,’ to reply the urgent query of whether or not or not white paint helped traditionally contribute to white supremacy and assist to make “the world whiter.”
The query is posed from a historic perspective taking a look at if, and the way, the creation and widespread use of titanium white paint contributed to poisonous views of race.
The New York Put up studies:
Is white paint racist? Norway’s College of Bergen is exploring that query, asking how the aesthetic of white paint helped the nation contribute to white supremacy and helped “[make] the world whiter.”
“Whiteness just isn’t solely a cultural and societal situation tied to pores and skin colour, privileges, and systematic exclusion, however materialize in all places round us,” a rundown of the examine learn.
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“Though Norway just isn’t a traditional colonial energy, this venture will present how the nation has performed a globally main function in establishing white as a superior colour,” it mentioned. “Till now, nevertheless, this story has been lesser recognized to students and the general public.”
The examine on whiteness and paint, dubbed NorWhite, observes the Norwegian-developed paint pigment titanium white by means of “historic, aesthetic, and significant” lenses to find out how the event of the colour contributed to “social transformation” in addition to how the innovation led to “planetary penalties.”
“At the moment the Norwegian innovation TiO2 [titanium dioxide] is current in actually each a part of fashionable life … The first analysis query is: What are the cultural and aesthetic modifications instigated by titanium white and TiO2 surfaces — and the way can each the fabric in itself and these modifications be conceptualized and made seen?” the outline asks.
The TiO2 web site shares:
The analysis venture ʻHow Norway Made the World Whiterʼ (NorWhite) research a Norwegian innovation; the white pigment titanium dioxide in a historic, aesthetic, and significant lens—specializing in how the pigment remodeled surfaces in artwork, structure, and design. The first analysis query is: What are the cultural and aesthetic modifications instigated by titanium white and TiO2 surfaces – and the way can each the fabric in itself and these modifications be conceptualized and made seen? NorWhite connects difficult matters – whiteness, technological innovation, and mass-exploitation of pure sources – in a single case examine. The venture will do that by means of an interdisciplinary analysis design grounded in an authentic and artistic humanities method that merges artwork historical past and creative analysis.
Whiteness is one among as we speak’s key societal and political issues. Inside and past academia worldwide, actions of revolt and remorse search to deal with our racial previous. Within the pivotal works in whiteness research inside artwork and structure historical past, whiteness is known as cultural and visible constructions of privilege. The brand new analysis venture ‘How Norway Made the World Whiter’ (NorWhite) funded by the Analysis Council of Norway, addresses, nevertheless, a distinctively totally different battleground for politics of whiteness in artwork and structure.
This venture will present how Norway has performed a globally main function in establishing white as a superior colour. Till now, nevertheless, this story has been lesser recognized to students and the general public. NorWhite will join the difficult matters: whiteness, technological innovation, and mass-exploitation of pure sources in a single case examine. The analysis venture will examine the Norwegian improvements the chemical compound titanium dioxide (TiO2) and the white pigment titanium white in a historic, aesthetic, and significant lens—specializing in how the improvements remodeled surfaces in artwork, structure, and design—to be able to present how aesthetic—and thereby societal—transformation is pushed by technological improvement.
